Individual Performance Style of the Pianist in the Context of E. Erikson's "Identity" Theory

The individual performance style of the pianist is considered from standpoint both conscious and unconscious advocacy an adequate "my own personnality" in network perfect standards aesthetic values other pianists. It proposed to interpret specified phenomenon as a pianist's way constructing his imagination artistic images musical works their unique/original sound realization, taking into account innate psychophysiological properties acquired artist. was found that enables realization creative " my personnality - concept" with reflection influence most clear identification its constructs on expressive technical means interpreting work, artistry. expediency considering identity identifying differentiating characteristic features substantiated. proven should be determined by: presence system original/exceptional features, which manifestation process while preserving authenticity; defense "self" context styles pianists; immutability reproduction fundamental under any conditions external influences aimed at "identification" ("inflation", "dissolution general") "regressive restoration" ("capitulation" attitude individualization); high level fullness, differentiation multi-vector nature features; uniqueness ability complement each for complete pianist’s are defined order recognize uniqueness. As conclusion, author describes specifics application methods imitation patterning, help reproduce capable ensuring recognition created without "blurring" leading differences among artists involved concert stage activities.